{"id":2896,"date":"2025-11-24T17:54:11","date_gmt":"2025-11-24T20:54:11","guid":{"rendered":"https:\/\/museubispodorosario.com\/catalogoraisonne?page_id=2896"},"modified":"2026-05-06T13:49:32","modified_gmt":"2026-05-06T16:49:32","slug":"manto-da-apresentacao","status":"publish","type":"page","link":"https:\/\/museubispodorosario.com\/catalogoraisonne\/obras\/manto-da-apresentacao\/","title":{"rendered":"Manto da Apresenta\u00e7\u00e3o"},"content":{"rendered":"\t\t
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MANTO DA APRESENTA\u00c7\u00c3O<\/h2>\t\t\t\t<\/div>\n\t\t
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T\u00edtulo:<\/span> Manto da Apresenta\u00e7\u00e3o<\/b><\/p>

N\u00famero de tombo: MBRAC.ABR.0013<\/span><\/p>

Designa\u00e7\u00e3o: Indument\u00e1ria<\/span><\/p>

Tema: religioso, vida asilar, invent\u00e1rio<\/span><\/p>

T\u00e9cnica: costura, bordado, escrita<\/span><\/p>

Material: tecido, fio de algod\u00e3o, linha, fibra vegetal, fio de seda, objeto industrializado, tinta de caneta esferogr\u00e1fica<\/span><\/p>

Dimens\u00f5es: 225,00 x 155,00 x 5,00 cm<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Descri\u00e7\u00e3o<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Pe\u00e7a representando um manto composto por cobertor de l\u00e3 marrom, e na parte interna do manto forro de tecido de estofado em gorgor\u00e3o branco. Os cantos do manto s\u00e3o arredondados e em todo seu contorno arrematado com acabamento tecido de cetim numa cont\u00ednua. Ombreiras em cetim amarelo arrematadas com franjas. Abertura do pesco\u00e7o arrematada por uma gola com acabamento em malha vermelha plissada. Da gola pendem dois cadar\u00e7os grossos em seda retorcidos com borlas nas extremidades para os dois lados do manto. Na frente, na altura do peito, pequeno ret\u00e2ngulo de tecido, sugerindo um guarda-escapul\u00e1rio. Na frente diversos cord\u00f5es de diferentes espessuras e cores, presos nas duas pontas fazendo um U unidos no centro. Nas extremidades, acabamentos em pequenas borlas de v\u00e1rias cores. Inscri\u00e7\u00f5es e desenhos bordados na frente e atr\u00e1s. Na parte interna do manto inscri\u00e7\u00f5es bordadas em fios azuis com os nomes das virgens que subiriam aos c\u00e9us. Ao redor de todo o manto franja de cortina espessa branca.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Transcri\u00e7\u00e3o<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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<\/path><\/svg><\/span><\/path><\/svg><\/span>MANTO ABERTO - EXTERNO<\/span><\/div>

Setor 1 [parte frontal] [de cima para baixo] [tudo bordado com exce\u00e7\u00e3o do sinalizado como escrita]<\/span><\/p>

FIH D HOM [filho do homem]\u00a0 UNIVERSO\u00a0 VOZ \u2013 PAI \u2013 CRIAD \u0106EU\u00a0 TREVAS\u00a0 EM . MEU . NOM\u00a0 I N J R\u00a0 ANO J\u00a0 LACRIM \u2013 SANGRI\u00a0 OPR\u00a0 SHO\u00a0 COMES\u00a0 REVERTER\u00a0 SOVOSS\u00a0 NAO SEI VER \u00a0 M13 \u00a0 AS ARA\u00a0 E\u00a0 CIbA\u00a0 UD NO FIM !\u00a0\u00a0<\/span><\/p>

[s\u00edmbolos bordados desse setor]: cora\u00e7\u00e3o; \u00a0 balan\u00e7a; \u00a0 tri\u00e2ngulo; \u00a0 c\u00edrculo; \u00a0 lan\u00e7a; \u00a0 espada; \u00a0 cadeira;\u00a0 m\u00e3o e poss\u00edvel representa\u00e7\u00e3o da aura<\/span><\/p>

Setor 2\u00a0 [parte frontal] [leitura da esquerda para a direita, iniciando pela metade direita, circulando o manto]<\/span><\/p>

VENH . AS . VIRG . MIM \u00a0 135\u00a0 1.000\u00a0 910\u00a0 202\u00a0 28\u00a0 298 . 258 . 745\u00a0 163\u00a0 281\u00a0 917\u00a0 712 \u00a0 2\u00a0 15\u00a0 813\u00a0 96\u00a0 628\u00a0 122\u00a0 156\u00a0 175\u00a0 710 . 208\u00a0 66\u00a0 415\u00a0 270\u00a0 12\u00a0 340\u00a0 102\u00a0 8\u00a0 922\u00a0 911\u00a0 146\u00a0 222 . 42\u00a0 717\u00a0 721\u00a0 317\u00a0 15\u00a0 990\u00a0 783\u00a0 704\u00a0 54 . 52\u00a0 O NIVEL\u00a0 POS \u00a0 506\u00a0 797\u00a0 709\u00a0 69\u00a0 RUMC\u00a0 669\u00a0 306\u00a0 DVI\u00a0 209\u00a0 431\u00a0 558\u00a0 358\u00a0 55\u00a0 EGRM\u00a0 541\u00a0 33\u00a0 319\u00a0 512\u00a0 MRFO\u00a0 816\u00a0 706\u00a0 749\u00a0 547\u00a0 DELAS\u00a0 679\u00a0 730\u00a0 DAUNGI\u00a0 645\u00a0 761 . 693\u00a0 725\u00a0 965\u00a0 734\u00a0 LANCHOS\u00a0 509\u00a0 939\u00a0 570\u00a0 107\u00a0 FOR\u00c7A\u00a0 103\u00a0 569\u00a0 904\u00a0 34\u00a0 968\u00a0 307\u00a0 773\u00a0 257\u00a0 729\u00a0 RC EN O\u00a0 368\u00a0 326\u00a0 944 \u00a0 336\u00a0 327\u00a0 59\u00a0 B\u00a0 REUS\u00a0 PIMA\u00a0 757\u00a0 905\u00a0 144\u00a0 747\u00a0 BUENOS\u00a0 AG\u00a0 443\u00a0 738\u00a0 758\u00a0 341\u00a0 419\u00a0 511\u00a0 920\u00a0 737\u00a0 786\u00a0 606 \u2013 677 \u2013 5 \u2013 964 \u2013 266 \u2013 201 \u2013 481\u00a0 82\u00a0 181\u00a0 205\u00a0 404\u00a0 19\u00a0 17\u00a0 731\u00a0 40\u00a0 31\u00a0 320\u00a0 300\u00a0 16\u00a0 440\u00a0 30\u00a0 819\u00a0 44\u00a0 305\u00a0 61\u00a0 27\u00a0 3\u00a0 477\u00a0 191\u00a0 810\u00a0 192\u00a0 164\u00a0 177\u00a0 879\u00a0 490\u00a0 652\u00a0 19\u00a0 118\u00a0 912 . 74\u00a0 115 \u2013 700 \u2013 303 \u2013 94 \u2013 951 .\u00a0 386 . 737 . 954\u00a0 985\u00a0 958\u00a0 945\u00a0 934\u00a0 \u00a0 713 . 714\u00a0 703\u00a0 984\u00a0 618\u00a0 372\u00a0 592\u00a0 989\u00a0 79\u00a0 371 . 767\u00a0 68\u00a0 395\u00a0 101\u00a0 479\u00a0 108\u00a0 152\u00a0 22\u00a0 663\u00a0 324\u00a0 180\u00a0 350\u00a0 345\u00a0 328\u00a0 348\u00a0 768\u00a0 470\u00a0 680\u00a0 323\u00a0 571\u00a0 520\u00a0 360\u00a0 666\u00a0 171 \u2013 29\u00a0 612 \u2013 692\u00a0 15\u00a0 \u00a0 331 \u2013 601 \u2013 602 \u2013 302 \u2013 80 \u2013 902 \u2013 39\u00a0 38 \u2013 45 \u2013 48 \u2013 149 \u2013 282 \u2013 339 \u2013 409\u00a0 658\u00a0 531\u00a0 277\u00a0 332 \u2013 622 \u2013 922 794 . 629\u00a0 678\u00a0 NAULITOV\u00a0 623 319\u00a0 660 \u2013 169\u00a0 447\u00a0 916\u00a0 377\u00a0 292\u00a0 158\u00a0 898\u00a0 173\u00a0 683\u00a0 451\u00a0 217 . 640\u00a0 113\u00a0 370\u00a0 227 261 \u2013 147\u00a0 501\u00a0 159\u00a0 60\u00a0 707\u00a0 438\u00a0 256\u00a0 715\u00a0 313\u00a0 295\u00a0 253\u00a0 254\u00a0 259\u00a0 665\u00a0 628\u00a0 275\u00a0 345\u00a0 628\u00a0 417\u00a0 310\u00a0 267\u00a0 279\u00a0 230\u00a0 962\u00a0 123 \u2013 88 188\u00a0 413\u00a0 1\u00a0 499\u00a0 609\u00a0 412\u00a0 772 . 942 . 346 . 465\u00a0 51\u00a0 71\u00a0 40\u00a0 109 . 78\u00a0 550 392\u00a0 877\u00a0 239\u00a0 771\u00a0 229\u00a0 410\u00a0 374\u00a0 947\u00a0 714 \u2013 752 \u2013 352 \u2013 681 \u2013 751 . 733\u00a0 349\u00a0 610\u00a0 804\u00a0 750\u00a0 56\u00a0 11\u00a0 CRIA \u00a0 117\u00a0 719\u00a0 166\u00a0 978\u00a0 235\u00a0 238\u00a0 690\u00a0 Z\u00a0 776\u00a0 225\u00a0 647\u00a0 216 \u2013 551\u00a0 150\u00a0 26\u00a0 46\u00a0 Y\u00a0 53\u00a0 616\u00a0 441\u00a0 695\u00a0 333\u00a0 616\u00a0 210\u00a0 W\u00a0 619\u00a0 817\u00a0 969\u00a0 411\u00a0 207\u00a0 767\u00a0 68\u00a0 87\u00a0 U\u00a0 95\u00a0 23\u00a0 959 . 314\u00a0 214\u00a0 T\u00a0 124\u00a0 S\u00a0 903\u00a0 25\u00a0 R\u00a0 246\u00a0 654\u00a0 132\u00a0 Q\u00a0 P\u00a0 388\u00a0 387\u00a0 384\u00a0 O\u00a0 385\u00a0 N\u00a0 711 . 778\u00a0 646\u00a0 M\u00a0 775\u00a0 224\u00a0 651\u00a0 330\u00a0 290\u00a0 662\u00a0 81\u00a0 220\u00a0 91\u00a0 355\u00a0 637\u00a0 494\u00a0 IKL \u00a0 RB\u00a0 50\u00a0 673\u00a0 13\u00a0 104 153\u00a0 444 . 764\u00a0 H\u00a0 G\u00a0 768\u00a0 F\u00a0 206\u00a0 740 . 160\u00a0 E\u00a0 70\u00a0 113\u00a0 161\u00a0 754\u00a0 854\u00a0 37\u00a0 649\u00a0 97\u00a0 47 \u00a0 J \u00a0 21\u00a0 424\u00a0 241 . 656\u00a0 D\u00a0 C\u00a0 B\u00a0 141\u00a0 106\u00a0 504\u00a0 59\u00a0 111\u00a0 193\u00a0 219\u00a0 168\u00a0 503\u00a0 417\u00a0 642\u00a0 A\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>

[s\u00edmbolos bordados do setor 2]:\u00a0 125 bandeiras de sinaliza\u00e7\u00e3o naval retangulares e triangulares;\u00a0 diversas pe\u00e7as de xadrez pretas; \u00a0 ramo de louro; \u00a0 barra de esporte;\u00a0 pe\u00e7a de domin\u00f3;\u00a0 sino;\u00a0 escadas;\u00a0 tesoura; \u00a0 \u00a0 foice; \u00a0 \u00a0 machado; \u00a0 banco; \u00a0 corda; \u00a0 rodo; \u00a0 tesour\u00e3o; \u00a0 chaleira; \u00a0 caju;\u00a0 cabide; \u00a0 atiradeira; \u00a0 cama;\u00a0 balde; \u00a0 pe\u00e7as de domin\u00f3; \u00a0 estrutura de cadeira de praia; \u00a0 trempe; \u00a0 arado; \u00a0 cavalete com bolsas; \u00a0 panela; \u00a0 bandeira de sinaliza\u00e7\u00e3o; \u00a0 estrutura para segurar soro; \u00a0 estrutura para segurar bra\u00e7o; p\u00e1; \u00f3culos; colher; \u00a0 vasilha; \u00a0 castelo; \u00a0 pia; \u00a0 barra de esporte; \u00a0 \u00f3culos; \u00a0 submarino; \u00a0 escumadeira; \u00a0 cabide; \u00a0 barras paralelas; \u00a0 macas; \u00a0 bengala; \u00a0 vasos; \u00a0 jarra; \u00a0 garraf\u00e3o; \u00a0 raquete; \u00a0 balan\u00e7a; \u00a0 mesas; \u00a0 picadeira;\u00a0 chave de grifo; \u00a0 chuveiro;\u00a0 beliche;\u00a0 esteira; \u00a0 funil; \u00a0 ferro de passar; \u00a0 serrote; \u00a0 pil\u00e3o; \u00a0 cestas; \u00a0 halt\u00e9res; \u00a0 balan\u00e7o; \u00a0 \u00e2ncora; \u00a0 p\u00e1; \u00a0 filmadora; \u00a0 atabaque\u00a0 e\u00a0 tampo de vaso sanit\u00e1rio; ventilador de p\u00e9; dado; barquinho; s\u00edmbolo dos jogos ol\u00edmpicos; fac\u00e3o; cora\u00e7\u00e3o com el\u00e9tro; tridente; compasso.<\/span><\/p>

Setor 3\u00a0 [parte frontal direita] [leitura da cima para baixo, iniciando a leitura abaixo da ombreira esquerda vista de frente at\u00e9 a fronteira com o setor 2, na lateral at\u00e9 a fronteira da linha azul, sugerindo um atracadouro]<\/span><\/p>

[alfabeto acompanhado das devidas bandeiras de sinaliza\u00e7\u00e3o]\u00a0 A a U… e Z<\/span><\/p>

Aten\u00e7\u00e3o: Os algarismos romanos bordados no manto, sugerem como se estivessem distribu\u00eddos numa camada acima onde est\u00e3o os algarismos ar\u00e1bicos e os objetos [o bloco de algarismos romanos do setor 3 foi anexado aos do setor 4, para que a leitura sequencial n\u00e3o seja interrompida]<\/span><\/p>

624 . 897 . 553 \u00a0 405 . 983\u00a0 432 . 567 \u00a0 556\u00a0 334\u00a0 148\u00a0 741\u00a0 92\u00a0 165\u00a0 432 . 567 \u00a0 179 . 138 . 88 . 154 . 915 \u00a0 16 \u00a0 136\u00a0 126 . 86\u00a0 516 \u00a0 157\u00a0 174\u00a0 172\u00a0 748\u00a0 357\u00a0 251\u00a0 407 . 928\u00a0 461 . 782 \u00a0 462 . 763 \u00a0 130\u00a0 705\u00a0 142\u00a0 931\u00a0 143 . 841 \u00a0 249\u00a0 948 \u00a0 785\u00a0 620 . 344 . 756\u00a0 \u00a0 32\u00a0 187\u00a0 802\u00a0 195\u00a0\u00a0<\/span><\/p>

[s\u00edmbolos bordados do setor 3]:\u00a0 bandeiras de sinaliza\u00e7\u00e3o; in\u00edcio de fia\u00e7\u00e3o el\u00e9trica com postes e estrada de ferro que est\u00e1 ligada a uma embarca\u00e7\u00e3o apoitada no cais;\u00a0 poste de transmiss\u00e3o;\u00a0 remos;\u00a0 pe\u00e7as de domin\u00f3 e xadrez;\u00a0 ringue de box;\u00a0 escorregador;\u00a0 escada e cama<\/span><\/p>

Setor 4\u00a0 [parte frontal] [leitura da esquerda para a direita, iniciando fronteira da linha azul, circulando o manto, acima parando na linha de transmiss\u00e3o com 2 cabos e abaixo na linha de transmiss\u00e3o com 4 cabos]<\/span><\/p>

833\u00a0 285\u00a0 995\u00a0 198 \u2013 188\u00a0 664\u00a0 226\u00a0 667\u00a0 609\u00a0 72 . 442 \u00a0 265\u00a0 247\u00a0 784\u00a0 381\u00a0 906\u00a0 197\u00a0 212\u00a0 502 . 722\u00a0 297 . 263<\/span><\/p>

243\u00a0 650\u00a0 286 . 398 . 925 . 433 . 859 . 825\u00a0 273\u00a0 35\u00a0 674\u00a0 420\u00a0 566\u00a0 425\u00a0 343 . 994 – 284 – 278\u00a0 597 \u00a0 791\u00a0 269\u00a0 630\u00a0 287\u00a0 REMUN \u00a0 380 . 850\u00a0 491\u00a0 970\u00a0 597\u00a0 880\u00a0 896 \u00a0 C A D H M\u00a0 572 . 525 \u00a0 882\u00a0 522\u00a0 682\u00a0 429\u00a0 568\u00a0 489 . 594\u00a0\u00a0<\/span><\/p>

125 . 221 . 87 . 402. 972\u00a0 332 . 321 264\u00a0 998\u00a0 237\u00a0 292\u00a0 848 \u2013 362\u00a0 212\u00a0 123\u00a0 57\u00a0 622\u00a0 232\u00a0 774\u00a0 993\u00a0 641 – 600\u00a0 510 \u2013 288\u00a0 559\u00a0 533 . 451 952\u00a0 864 \u2013 518 \u2013 590\u00a0<\/span><\/p>

[Algarismos romanos iniciando no meio do setor 3 subindo at\u00e9 a embarca\u00e7\u00e3o e continuando depois \u00e0 direita, acompanhando a linha do trem nos dois lados. Importante notar que a numera\u00e7\u00e3o \u00e9 sequencial do I (um) ao C (cem). A transcri\u00e7\u00e3o acompanha o bordado feito pelo Bispo]<\/span><\/p>

[leitura de baixo para cima] \u00a0 I\u00a0 [II e III fechados em cima por linhas horizontais]\u00a0 IV \u00a0 V \u00a0 VI\u00a0 VII . VIII . IX\u00a0 \u00a0 X\u00a0 \u00a0 XI . XII\u00a0 XIII . XIV\u00a0 XV . XVI\u00a0 XVII . XVIII\u00a0 XIX . XX\u00a0 XXI . XXII\u00a0 .\u00a0 XXIII\u00a0 . XXIV\u00a0 XXV\u00a0 XXVI\u00a0 XXVII \u2013 XXVIII\u00a0 XXIX . XXX .\u00a0 XXXI\u00a0 XXXII\u00a0 [acima da embarca\u00e7\u00e3o] XXXIII . XXXIV . XXXV [in\u00edcio no setor 4] [acima da linha do trem] do XXXVI ao XXXXVII [e abaixo da linha do trem] XXXXVIII ao C [distribu\u00eddos ao longo da lateral direita e nas costas do manto, acompanhando o movimento sinuoso da linha do trem]. \u00c9 importante notar que toda a sequ\u00eancia do setor 4, 5 e 6 [XXXVI ao C], foi toda bordada em branco.<\/span><\/p>

[s\u00edmbolos bordados do setor 4]:\u00a0 pe\u00e7a de domin\u00f3;\u00a0 pe\u00e7as de xadrez;\u00a0 barra de esporte;\u00a0 escada;\u00a0 penteadeira;\u00a0 p\u00e1s;\u00a0 enxada; abano; maca; carrinho de m\u00e3o; foice; manequins;\u00a0 leiteira;\u00a0 bandeirinhas; cadeira sem bra\u00e7o; banco; mesa.<\/span><\/p>

Setor 5\u00a0 [parte inicial das costas] [leitura da esquerda para a direita, iniciando fronteira da linha azul, circulando o manto, acima parando na linha de transmiss\u00e3o com 2 cabos e abaixo na linha de transmiss\u00e3o com 4 cabos]<\/span><\/p>

120 \u2013 894 \u2013 844 . 865\u00a0 527\u00a0 498\u00a0 892\u00a0 393\u00a0 949\u00a0 725\u00a0 396 . 335\u00a0 876 .\u00a0 366 \u2013 67 \u00a0 941\u00a0 739\u00a0 20\u00a0 445 . 538\u00a0 468\u00a0 675\u00a0 846 . 471 . 661\u00a0 604 176 . 789\u00a0 930\u00a0 204\u00a0 953\u00a0 956\u00a0 497\u00a0 483\u00a0 467\u00a0 814\u00a0 909\u00a0 460\u00a0 755\u00a0 691\u00a0 759\u00a0 736\u00a0 203\u00a0 304\u00a0 875\u00a0 940 \u00a0 62\u00a0 65\u00a0 200\u00a0 416\u00a0 914\u00a0 735\u00a0 459\u00a0 155 . 686\u00a0 280\u00a0 890\u00a0 289\u00a0 49\u00a0 24\u00a0 992\u00a0 626\u00a0 367\u00a0 36\u00a0 901\u00a0 309 . 345\u00a0 617 . 64\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>

100\u00a0 868\u00a0 457\u00a0 542\u00a0 245\u00a0 951\u00a0 671 . 466 \u00a0 744 . 418\u00a0 653 \u00a0 831 184\u00a0 356\u00a0 389\u00a0 921 . 605 . 780 . 631 . 183\u00a0 961\u00a0 980\u00a0 382 . 723 . 820\u00a0 821\u00a0 659\u00a0 363\u00a0 598\u00a0 577 . 728<\/span><\/p>

77 \u2013 137 \u2013 178 . 996 . 634 . 795 \u00a0 454\u00a0<\/span><\/p>

[s\u00edmbolos bordados do setor 5]:\u00a0 lambreta; espregui\u00e7adeira; cadeira higi\u00eanica; 2 macas; 2 bicicletas; domin\u00f3; m\u00e1quina de costura; gaiola; triciclo; piano; sacola; cadeira; banco; bota de enfeite de natal; banco; espregui\u00e7adeira e chinelo.<\/span><\/p>

Setor 6 [parte das costas] [leitura da esquerda para a direita, iniciando fronteira da linha azul clara, circulando o manto, acima parando na linha de transmiss\u00e3o com 2 cabos e abaixo na linha de transmiss\u00e3o com 4 cabos, tendo a linha da ombreira como limite \u00e0 direita]<\/span><\/p>

\u00a0131\u00a0 140\u00a0 811\u00a0 121\u00a0 519\u00a0 472\u00a0 464\u00a0 351\u00a0 818\u00a0 607\u00a0 808 . 982\u00a0 793 . 847\u00a0 929\u00a0 338 . 676\u00a0 967\u00a0 408 \u2013 492\u00a0<\/span><\/p>

694 . 688 . 635 \u00a0 482\u00a0 836 . 578 . \u00a0 \u00a0 484 . 485\u00a0 488\u00a0 871 . 427 . 625 . 975\u00a0 639\u00a0 689\u00a0 895\u00a0 449\u00a0 271\u00a0 73\u00a0 228\u00a0 426\u00a0 685 . 439\u00a0 375 . 687\u00a0 199\u00a0 283 . 576\u00a0 595\u00a0 832\u00a0 493\u00a0 977 \u2013 105 \u2013 255\u00a0 869\u00a0 632 . 545\u00a0 657\u00a0 643\u00a0 \u00a0 845 . 428 . 580<\/span><\/p>

400\u00a0 167\u00a0 128 \u2013 165 \u2013 196 \u2013 919 \u2013 110 \u2013 508\u00a0 308\u00a0 766\u00a0 997\u00a0 329\u00a0 614 . 89\u00a0 90\u00a0 162\u00a0 337\u00a0 194\u00a0 528\u00a0 170\u00a0 322\u00a0 462\u00a0 599\u00a0 42 . 926\u00a0 923\u00a0 97\u00a0 299\u00a0 390\u00a0 777\u00a0 648\u00a0 233\u00a0 513\u00a0 421\u00a0 406 . 529 \u2013 185\u00a0 574\u00a0 548\u00a0 474\u00a0 564\u00a0 885 . 887 \u00a0 631\u00a0 670 . 414 \u2013 907\u00a0 \u00a0 608\u00a0 84\u00a0 291\u00a0 805 \u2013 294 \u2013 515\u00a0 613\u00a0 800\u00a0 716\u00a0 262\u00a0 186\u00a0 991\u00a0 403\u00a0 240\u00a0 874 . 495\u00a0 837\u00a0 878\u00a0 563\u00a0 478 \u00a0 588 . 543 546 . 860 . 530\u00a0 524\u00a0 450\u00a0 830\u00a0 476\u00a0 463 \u00a0 \u00a0 603 . 699 \u2013 252<\/span><\/p>

[s\u00edmbolos bordados do setor 6]:\u00a0 circunfer\u00eancia com roldanas ligada \u00e0 trilho secund\u00e1rio; cavalinho de pau; duas mesas de sinuca; corneta; motocicleta com farol; fog\u00e3o; duas bolsas; cavalete com tela; patinete; mata mosquito; domin\u00f3; tr\u00eas pu\u00e7\u00e1s; mesa de ping-pong; raquete; \u00e1baco; bal\u00e3o; cadeirinha de crian\u00e7a; carrinho de beb\u00ea; tabuleiro de xadrez; cinco identifica\u00e7\u00f5es de patentes da marinha; cadeira de dentista.<\/span><\/p>

Setor 7 [parte da frente] [leitura da esquerda para a direita, iniciando na altura da ombreira direita, circulando o manto, acima da linha de transmiss\u00e3o com 4 cabos at\u00e9 encontrar o setor 1]<\/span><\/p>

434\u00a0 873\u00a0 585\u00a0 858\u00a0 843\u00a0 867\u00a0 857\u00a0 582\u00a0 832 . 458\u00a0 884 . 502\u00a0 581\u00a0 840\u00a0 423\u00a0 972\u00a0 974\u00a0 762\u00a0 129\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>

535 . 849\u00a0 852\u00a0 560\u00a0 638\u00a0 371\u00a0 364\u00a0 397\u00a0 815\u00a0 849\u00a0 852\u00a0 888\u00a0 536\u00a0 827 . 537\u00a0 973\u00a0 276\u00a0 718 . 223\u00a0 215\u00a0 523\u00a0 \u00a0 937\u00a0 724\u00a0 927\u00a0 347\u00a0 934\u00a0 684\u00a0 812\u00a0 272\u00a0 301\u00a0 18\u00a0 933 \u2013 918\u00a0 376\u00a0 85\u00a0 430\u00a0 726\u00a0 58\u00a0 816\u00a0 112\u00a0 151\u00a0 63\u00a0 806\u00a0 399\u00a0\u00a0<\/span><\/p>

579\u00a0 422\u00a0 540\u00a0 554\u00a0 379\u00a0 692\u00a0 296\u00a0 231\u00a0 806 . 753\u00a0 760 \u00a0 395\u00a0 98 . 83 \u2013 244 . 97\u00a0 790 . 496\u00a0 248\u00a0 514\u00a0 644\u00a0 899\u00a0 971\u00a0 \u00a0 145\u00a0 838\u00a0 891\u00a0 363\u00a0 779\u00a0 950\u00a0 517\u00a0 369\u00a0 973\u00a0 276 . 223\u00a0 283 . 776\u00a0 507\u00a0 213\u00a0 234 \u2013 701\u00a0 250\u00a0 293\u00a0 126\u00a0 20\u00a0 720 \u00a0 866\u00a0 58\u00a0 430\u00a0 85\u00a0 376\u00a0 933 \u2013 918\u00a0 112\u00a0 187 . 708\u00a0 900\u00a0 218\u00a0 135 \u2013 666\u00a0 158\u00a0 913 . 43\u00a0 383\u00a0 359\u00a0 446\u00a0 169\u00a0 173\u00a0 63\u00a0 806\u00a0 99\u00a0 189\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>

[s\u00edmbolos bordados do setor 7]: dez sinalizadores com bandeiras; duas patentes; caixa com alca; cadeira de balan\u00e7o; nove cabides; cadeira; urna; rastelo; lira; cadeira; rede de v\u00f4lei; b\u00f3ia; domin\u00f3; cadeira de bra\u00e7o; dois bancos; saco de \u00e1gua quente; biombo; s\u00edmbolo de energia at\u00f4mica; suporte de soro; banquinho; cabide de terno; carteira de escola; lumin\u00e1ria de p\u00e9; domin\u00f3; equipamentos de exame radiol\u00f3gico.\u00a0<\/span><\/p>

Setor 8 [parte das costas] [inicia na rosa dos ventos e vai at\u00e9 a linha de transmiss\u00e3o com 2 cabo abaixo das ombreiras]<\/span><\/p>

NO \u00a0 LE \u00a0 SU \u00a0 SEOTE\u00a0 \u00a0 NL \u00a0 27<\/span><\/p>

834\u00a0 839 \u2013 534\u00a0 851\u00a0 \u00a0 \u00a0 809\u00a0 322 \u2013 552 . 521\u00a0 – 829\u00a0 787\u00a0 \u00a0 \u00a0 236\u00a0 889\u00a0 475\u00a0 986\u00a0 883\u00a0 505. 943\u00a0 936\u00a0 985\u00a0 863\u00a0 456\u00a0 872\u00a0 939\u00a0 963\u00a0 . 979\u00a0 \u00a0 655 . 807 . 893 \u2013 881 587 . 440\u00a0 480 . 593\u00a0 824\u00a0 539\u00a0 615 . 938\u00a0 \u00a0 \u00a0 532\u00a0 425\u00a0 826\u00a0 698\u00a0 473\u00a0 575\u00a0 573\u00a0 486\u00a0\u00a0<\/span><\/p>

[s\u00edmbolos bordados do setor 8]: rosa dos ventos; gramofone; escada de avi\u00e3o; globo terrestre; patins; cadeira; lambreta; banco; barco; p\u00e1; muletas; rolo de tinta; carrinho de feira; bicicleta ergom\u00e9trica; serra el\u00e9trica; sof\u00e1; gangorra; m\u00e1quinas e lavar manuais; triciclo; cama beliche; sino; barril de chope; cadeado; poltrona sem bra\u00e7o.<\/span><\/p><\/div>\n <\/div>

\n
<\/path><\/svg><\/span><\/path><\/svg><\/span>MANTO ABERTO - INTERNO<\/span><\/div>

Escrita bordada na parte interna do debrum que contorna o manto, come\u00e7ando pela parte da frente no centro. O bordado \u00e9 em diversas cores e a leitura da esquerda para a direita:<\/span><\/p>

– OLIVIA – INTIMA – DA – SILVA > JOSEFA . DANTAS \u2013 MEDEIROS > MARIA \u2013 DO \u2013 PATROCINO > MARINA \u2013 FERNANDES \u2013 DOS \u2013 SANTOS > MARIA \u2013 BERENICE . QUEIROZ — IZAURA . ALVIM . FLORES ( ADVOGADA \u2013 HERCINIA : MAGALHAES \u2013 LEONE EZILDA \u2013 DE \u2013 ALMEIDA > JULIA \u2013 ALMEIDA \u2013 RIBEIRO < MEDICA ) VERA \u2013 ALONSO \u2013 DA \u2013 SILVA \/\/ MARY \u2013 CARNEIRO <— MARIA \u2013 DA \u2013 LUZ \u2013 AMORIM || MARIA \u2013 CELIA \u2013 BERTOLDO\u00a0 > NOEMIA \u2013 GOMES \u2013 DA \u2013 SILVA > MARIA \u2013 ARCIOLIDA \u2013 MARGUES \u2013 MARINEA \u2013 PEREIRA \u2013 ARAUJO | DULCE \u2013 DE \u2013 OLIVEIRA > NEIDE . DA . CUNHA \u2013 MEDICA \u2013 REGINA \u2013 DALVA \u2013 PERLINGEIRO \u2013| JOSEFA \u2013 PASSOS \u2013 DE \u2013 JESUS > MARIA \u2013 JOSE \u2013 LEONI \u2013 MORAES )) MARIA \u2013 DOS \u2013 SANTOS ><\/span><\/p>

Escrita bordado em cima do debrum da esquerda para a direita:<\/span><\/p>

[bordado] – REIN\u00a0 NAIR\u00a0 FACHINON \u00a0 \u00a0 [caneta esferogr\u00e1fica]\u00a0 CAR \u00a0 NEIDE\u00a0 \u00a0 [bordado] N\u00c3O \u00a0 \u00a0 . DULCE . DE . OLIVEIRA .\u00a0 \u00a0 \u00a0 N\u00c3O \u00a0 \u00a0 [caneta esferogr\u00e1fica] ROSANGELA MARIA\u00a0 \u00a0 GALHO<\/span><\/p>

A leitura do verso do manto \u00e9 feita a partir do centro no sentido do rel\u00f3gio. Todos os nomes s\u00e3o de mulheres e est\u00e3o delimitados por linhas bordadas, indicados entre colchetes.\u00a0<\/span><\/p>

1\u00aa linha:\u00a0<\/span><\/p>

[NOEMIA \u2013 PACHECO \u2013 MACHADO] [MARIA \u2013 SENHORA] [DIRCE \u2013 CARNEIRO \u2013 BRITO] [ELIANE \u2013 CARNEIRO \u2013 BRITO \u2013 MEIRA] [PROFESSORA \u2013 EDUCACAO \u2013 FISICA \u2013 MARION \u2013 PERISSE] [> ZILDA \u2013 DE \u2013 MORAES] [LAURA \u2013 MARGUES \u2013 FONSECA – ] [ELZA \u2013 MARIA \u2013 DOS \u2013 SANTOS] [JUDITH \u2013 CAMPOS \u2013 DE \u2013 ALMEIDA] [DAGMAR \u2013 DIAS \u2013 SEABRA] [CACILDA \u2013 XAVIER \u2013 DOS SANTOS] [ VERA . LUCIA . SILVA] [MARIA . IZABEL . SANTOS] [CESARIA . DE . OLIVEIRA] [ENYLCE \u2013 FROES – ] [ISA \u2013 CORREIA] [ALMERINA \u2013 DA \u2013 SILVA – ] [MARINA \u2013 LOPES – ]<\/span><\/p>

2\u00aa linha:\u00a0<\/span><\/p>

[ARACY \u2013 DE \u2013 JESUS – ] [MARIA \u2013 APARECIDA] [BELANIZA \u2013 FRANCISCA \u2013 JESUS] [MARIA \u2013 DE \u2013 MELO] [ALICE \u2013 SANTOS \u2013 MEDICA – ] [ANGELINA \u2013 MENEZES – ] [WANDA \u2013 SILVA – ] [ALDA \u2013 PATAMATE – ] [ ARACY \u2013 RODRIGUES \u2013 ARRUDA – ] [HELENA \u2013 LOPES] [JOSEFA \u2013 PESSANHA] [TERESINHA \u2013 DE \u2013 JESUS – ] [ISOLINA \u2013 DA \u2013 SILVEIRA] [NEUZA \u2013 DOS \u2013 SANTOS] [ELVIRA \u2013 ESPEROITO] [MARIA \u2013 HELENA] [WANDA \u2013 DOS \u2013 SANTOS] [MARIA \u2013 LIMEIRA \u2013 FORTE – ] [MARIA \u2013 LIMEIRA \u2013 COUTO]<\/span><\/p>

3\u00aa linha:\u00a0<\/span><\/p>

[MARIA \u2013 ELISIA] [IZAURA \u2013 BIANA – ] [ADALGISA . FERREIRA] [NEUZA \u2013 MARGUES] [ANNA \u2013 MARIA – ] [IRENE \u2013 MARGUES – ] [MARIA \u2013 CORREIA] [TERESINHA \u2013 FERNANDES] [IZABEL \u2013 FERNANDES] [MARIA \u2013 CELICA] [FLEDA \u2013 RODRIGUES – ] [MARIA \u2013 CECILIA] [MERCEDES . PIO – ] [LUCIA \u2013 DOS \u2013 SANTOS – ] [MERCEDES \u2013 TUPINABA] [ELVIRA \u2013 LEITE] [LEONIDIA \u2013 DOS \u2013 SANTOS] [CELINA MAgALHAES \u2013 LEONI] [DALMIRA \u2013 BIANA – ] [CELIA \u2013 BIANA] [SANTA \u2013 MARGUES]\u00a0<\/span><\/p>

4\u00aa linha:\u00a0<\/span><\/p>

[ILDA \u2013 DOS \u2013 SANTOS – ] [JURACY \u2013 DOS \u2013 SANTOS] [MARIA \u2013 CRISTINA] [LEDA . SILVA] M [ROSA \u2013 RODRIGUES] [RUTHE \u2013 SIRICO] [OLINDA \u2013 SIRICO] [ESTHELA \u2013 CLAUDINA] [JOSEFINA \u2013 DOS \u2013 SANTOS] [ODETE \u2013 DOS \u2013 SANTOS] \u2013 [NAPUNINA . SIFOROZA] [NAPUNINA . MARqUES] [CONCEI\u00c7AO \u2013 DOS \u2013 SANTOS] [CONCEI\u00c7AO \u2013 IZIDORO] [CONCEI\u00c7AO \u2013 JOVINA] [MARIA\u00a0 S\u00c3O \u2013 PEDRO] [ ALDA \u2013 MAgALHAES \u2013 LEONI] [JOSEFA \u2013 LIMEIRA – ] [OLINDA . DOS \u2013 SANTOS]\u00a0<\/span><\/p>

5\u00aa linha:\u00a0<\/span><\/p>

[ALDA . LUCINDA] [MARIA \u2013 JOE] [OLGA \u2013 LEONI] [NEUZA \u2013 ROZA] [ALICE \u2013 DOS \u2013 SANTOS] [ILDA \u2013 DE \u2013 MORAES] [CARME \u2013 DE \u2013 MORAES] [CARLOTA \u2013 SIRICO] [CELIA . LUIZA] [CELIA . DOS \u2013 SANTOS] [CELIA \u2013 gUVEIA] [GENI \u2013 DE \u2013 ANDRADES] [CONCEI\u00c7AO \u2013 DO \u2013 CARMO] [ANISSE \u2013 DA \u2013 SILVEIRA \u2013 MEDICA] [ANTONIA \u2013 ASSIES] [ELISIA \u2013 gUVEIA] [JOSEFINA \u2013 BOTELHO] [LUCIA \u2013 DIAS] [AMARA \u2013 DOS \u2013 SANTOS]<\/span><\/p>

6\u00aa linha:\u00a0<\/span><\/p>

[nome em amarelo] [NILCE \u2013 COELHO \u2013 DE \u2013 PAULA] \u00a0 \u00a0 [IMILIANA \u2013 MARGUES] [MARIA . GUSMAO] [MARINA \u2013 DOS \u2013 SANTOS] [MARILENE \u2013 LEONI] [IZAURA . EUGENIA] [IRENE \u2013 FLORES] [JOSEFA \u2013 EUGENIA] [ANGELINA \u2013 LUIZA] [IZABEL \u2013 DOS . SANT] [GERALDA \u2013 DE \u2013 OLIVEIRA] [IZABEL \u2013 LEONI] [ESMERALDA \u2013 FRANCISCA \u2013 DE \u2013 JESUS] [ALICE \u2013 LEONARDO] [MARIA . JOSE] [JOSEFA \u2013 JOE] [ELIZETE . BARROS] [LUARINDA . BERNARDO]<\/span><\/p>

7\u00aa linha:<\/span><\/p>

[FRANCISCA \u2013 DOS \u2013 SANTOS] [FRANCISCA . DOS \u2013 SANTOS] [MARIA \u2013 LUIZA] [LUIZA \u2013 DOS \u2013 SANTOS] [LEDA \u2013 DOS \u2013 SANTOS] [NEUZA \u2013 OSVALDO] [MARIA \u2013 EUGENIA] [ARACY . DOS . SANTOS] [ROSA \u2013 NEUZA] [ADRIANA \u2013 LUIZA] [LAURA \u2013 PAULO] [JOSEJA \u2013 BENTO] [LUCINDA \u2013 ALDA] [CLAUDINA \u2013 BERNARDO] [ ELZA \u2013 GETRUDES] [ EUGENIA \u2013 MARIA] [NOEMIA . DOS \u2013 SANTOS] [MARIA . AMELIA] [NORMA \u2013 FERNANDES]\u00a0<\/span><\/p>

8\u00aa linha:<\/span><\/p>

[JOSEFA \u2013 NOVAES] [MARIA \u2013 NOVAES] *[8\u00aa linha A] [JOSEFA \u2013 MANUCA] [DENAIR . FERREIRA] [MARIA \u2013 JOSE \u2013 DORADIA] [MARIA \u2013 PAULO] [GERTRUDES \u2013 ELZA] [CANTIONILA \u2013 DOS \u2013 SANTOS] [MARIA ISOLINA] \u00a0 \u00a0 [nome em azul claro] [YOLANDA \u2013 BATISTA \u2013 DE – … ULA] \u00a0 \u00a0 [MARIA \u2013 DO \u2013 CARMO] [HILDA \u2013 JOAGUIM] [HEIDER \u2013 FERNANDES] [ANTONIA \u2013 FRANCISCA \u2013 DE \u2013 JESUS] [MARIA \u2013 MANUCA] [MARIA \u2013 HELIO]<\/span><\/p>

8\u00aa linha A: [DORA \u2013 DOS \u2013 SANTOS] [OLINTA \u2013 DESIA] [HILDA \u2013 WALDEMAR] [MARIA \u2013 MARCA] [MARIA \u2013 QUITINO] [JOSEFA \u2013 PAULO ] [OLINDA \u2013 DIAS] [NEUZA \u2013 QUEROY] [LUISA \u2013 RODRIGUES] [LUCINDA \u2013 DOS \u2013 SANTOS] [ELIZABETH \u2013 LEONI] [MARIA \u2013 DO \u2013 CARMO \u2013 EMILIA] [MARIA \u2013 NILO] [OLIVIA . DOS \u2013 SANTOS]<\/span><\/p>

9\u00aa linha:<\/span><\/p>

[MORENA \u2013 SIFOROZA] [MARIA \u2013 HERMES] [DESIA \u2013 OLINTA] [DORADIA \u2013 MARIA \u2013 JOSE]<\/span><\/p>

[MARIA \u2013 ARISTIDES] [MARIA \u2013 RAMOS] [HELENA. SILVA] [MARIA \u2013 SIRENIO] [MARIA IVO] [MARIA \u2013 ALAU] [MARIA \u2013 AURELIO] [MARIA \u2013 MANOEL] [JOSEFA \u2013 HERNANE] [JOSEFA \u2013 ARMANDO] [JOSEFA \u2013 JOAO] [JOSEFA \u2013 NEUCE] [JOSFA \u2013 FRANCISCO] [JOSEFA \u2013 MOACIR]\u00a0<\/span><\/p>

10\u00aa linha:<\/span><\/p>

[JOSEFA \u2013 MILTON] [OMAR . MARGUES] [MARIA \u2013 SIFOROZA] [OLINDA \u2013 HELIO] [JOSEFA \u2013 HELIO] [JOSEFA . MARCA] [ANTONIETA \u2013 DOS \u2013 SANTOS] [MARIA . ARNALDO] [MARIA \u2013 MARIO] [MARIA . FERREIRA] [MARIA \u2013 ANGELO] [MARIA \u2013 JAIME] [MARIA \u2013 ANTONIO] [MARIA \u2013 ARTHUR] [MARIA \u2013 WALFREDO]<\/span><\/p>

11\u00aa linha:<\/span><\/p>

[LUZIA . ALBERTO] [MARIA . CLOTIDES] [BRAZILINA \u2013 LEONI] [MAGARIDA \u2013 DIAS] [ROSA \u2013 DOS \u2013 SANTOS] [SIFOROZA \u2013 MORENA] [VERA . OLINTA] [MARIA \u2013 MARIO \u2013 DOS \u2013 SANTOS] [CARLOTA . CANDIDO] [CARME . COUTO] [DIRCE \u2013 PERLINGEIRO] [DORA . HERVE] [SELMA \u2013 DOS \u2013 SANTOS] [LUIZCNDA \u2013 HILDA] [LUZIA\u00a0 – AMARA] [FLEDA . MANUCA]<\/span><\/p>

12\u00aa linha:<\/span><\/p>

[MARIA \u2013 CATAO] [JOSEFA \u2013 CLOTIDES] [CLOTIDES MARI] [JOSEFA \u2013 CANDIDO] [NORMA \u2013 CANDIDO] [LAURA \u2013 CANDIDO] [ROSA \u2013 ODILON] [DENAIR \u2013 CRISTINA] [LEDA \u2013 ELIZETE]\u00a0<\/span><\/p>

13\u00aa linha:<\/span><\/p>

[JOSEFA \u2013 QUITINO] [RAqUEL \u2013 DOS \u2013 SANTOS]<\/span><\/p>

14\u00aa linha:<\/span><\/p>

[OLINDA \u2013 qUITINO] [MADALENA \u2013 DOS \u2013 SANTOS]<\/span><\/p>

15\u00aa linha:<\/span><\/p>

[CRECENCIA \u2013 TAVARES] [TEREZA \u2013 DOS SANTOS]<\/span><\/p>

16\u00aa linha:<\/span><\/p>

[RUTHE \u2013 MANUCA] [GLORIA . JOE] [CARLOTA \u2013 COUTO] [DORA \u2013 EPAMINODAS] [ANNA . WALTER] [ANNA \u2013 DA \u2013 LUZ] [JOSEFINA \u2013 DELgADO]<\/span><\/p>

17\u00aa linha:<\/span><\/p>

[ELIANE \u2013 CANDIDO] [LUCINDA \u2013 MARINEA] [OLIVIA \u2013 ELVIRA] [VERA . EPAMINODAS] [FRANCISCA \u2013 BORDA] [MARIA . MARIO \u2013 JORGE]<\/span><\/p>

17\u00aa linha A:<\/span><\/p>

[ELVIRA . MARIA . LEONI] [DESIA . DELGADO]<\/span><\/p>

18\u00aa linha:<\/span><\/p>

[CARME \u2013 MAgARIDA . LEONI] [RAqUEL JULIO] [IRENE . CORREIA] [REGINA . HERNANE] [DORA . HORTENCIO] [REGINA . MELLO] [VITORIA . DOS . SANTOS]<\/span><\/p>

19\u00aa linha:<\/span><\/p>

[ALEXANDRINA . NUNES] [DIRCE . JULIO] [RUTH . DELgADO] [FRANCELINA . DIAS] [RAqUEL \u2013 RODRIgUES]<\/span><\/p>

20\u00aa linha:<\/span><\/p>

[NOEMIA \u2013 RAMOS] [DESIA . DE . MORAES] [NORMA . PIRES] [FLEDA \u2013 DE \u2013 ALMEIDA] [FRANCISCA \u2013 OLINTA] [JOVINA . DOS . SANTOS] [MARIA . CRUZ]\u00a0<\/span><\/p>

21\u00aa linha:<\/span><\/p>

[LAURA \u2013 JAVALI] [LUZIA . MELLO]<\/span><\/p>

22\u00aa linha:<\/span><\/p>

[MARINEIA . FRAVIO] [ADRIANA . BARROS] [CELINA \u2013 VALqUIRIA] [YOLANDA . MAgALHAES . LEONI] [MARIA \u2013 RODRIgUES] [LURDES . DIAS]<\/span><\/p>

23\u00aa linha:<\/span><\/p>

[ELIANE \u2013 FRAVIO] [ELISIA \u2013 JAVALI] [TERESINHA . YOLANDA .] [MARIA . BIANNA] [JULIA \u2013 LEONI]\u00a0<\/span><\/p>

23\u00aa linha A:<\/span><\/p>

[NEUZA \u2013 LEONI] [NADIR \u2013 VIANA] [TANIA \u2013 LEONI] [MARIA \u2013 DE \u2013 LURDES] [MARIA \u2013 GODOI]<\/span><\/p>

24\u00aa linha:<\/span><\/p>

[LURDE . DOS . SANTOS] [JOSEFA . ALIPIO] [ANTONIA . PAIVA] [JOSEFA \u2013 BARBOSA] [ZULEIKA . MURTINHO] [NILCE \u2013 ADASIRIO] [HEIDEI . ELIZETE] [MARIA . NASCIMEN]<\/span><\/p>

25\u00aa linha:<\/span><\/p>

[HELOISA \u2013 SAMPAIO]<\/span><\/p>

26\u00aa linha:<\/span><\/p>

[WANDA . CAMPOS . DE . ALMEIDA] [ MARIA \u2013 SENHORA \u2013 LEONIDIA] [IZABEL . ROCHA] [VALqUIRA . MAgALHAES] [VANGELINA . MAGALHAES]<\/span><\/p>

27\u00aa linha:<\/span><\/p>

[ODETE . CHICO] [LEDA CHICO]<\/span><\/p>

28\u00aa linha:<\/span><\/p>

[JOSEFA . HORTENCIO]<\/span><\/p>

29\u00aa linha:<\/span><\/p>

[CELETRINA . FRANCISCA . DE . JESUS] [ODETE \u2013 ALDASIRIO] [ARACY \u2013 XAVIER] [ ELISI PERLINGEIRO]<\/span><\/p>

30\u00aa linha:<\/span><\/p>

[ANGELINA . FRANCISCO]<\/span><\/p>

31\u00aa linha:<\/span><\/p>

[CARLOTA . CORDEIRO]<\/span><\/p>

32\u00aa linha:<\/span><\/p>

[ANGELINA . SOAR]<\/span><\/p>

33\u00aa linha:<\/span><\/p>

[JOVINA . CONSEICAO] [LUCIA NUNES] [DORADIA . ANORAD DENAIR]<\/span><\/p>

34\u00aa linha:<\/span><\/p>

[OLGA . HUMBERTO]<\/span><\/p>

35\u00aa linha:<\/span><\/p>

[LEONIDIA FARIAS]<\/span><\/p>

34\u00aa linha:<\/span><\/p>

[MARLI NELSON]<\/span><\/p><\/div>\n <\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Exposi\u00e7\u00f5es<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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ESCOLA DE ARTES VISUAIS DO PARQUE LAGE. <\/span>Registros de minha passagem pela Terra<\/b>. Rio de Janeiro, 18 out. 1989. (individual)<\/span><\/p>

MUSEU DE ARTE CONTEMPOR\u00c2NEA DA UNIVERSIDADE DE S\u00c3O PAULO. <\/span>Registros de minha passagem pela Terra<\/b>. S\u00e3o Paulo, 08 mar. 1990. (individual)<\/span><\/p>

MUSEU DE ARTE DO RIO GRANDE DO SUL. <\/span>Registros de minha passagem pela Terra<\/b>. Porto Alegre, 16 jun. 1990. (individual)<\/span><\/p>

MUSEU DE ARTE DE BELO HORIZONTE. <\/span>Registros de minha passagem pela Terra<\/b>. Belo Horizonte, jul. 1990. (individual)<\/span><\/p>

CENTRO DE CRIATIVIDADE DE CURITIBA. <\/span>Registros de minha passagem pela Terra<\/b>. Curitiba, 12 set. 1990. (individual)<\/span><\/p>

KULTURHUSET. <\/span>Arthur Bispo do Ros\u00e1rio<\/b>. Estocolmo, Su\u00e9cia, 20 abr. 1991. (individual)<\/span><\/p>

MUSEU DE ARTE MODERNA DO RIO DE JANEIRO. <\/span>Arthur Bispo do Ros\u00e1rio: o invent\u00e1rio do universo<\/b>. Rio de Janeiro, 19 jan. 1993. (individual)<\/span><\/p>

SALA ATHOS BULC\u00c3O, TEATRO NACIONAL CL\u00c1UDIO SANTORO. <\/span>Arthur Bispo do Ros\u00e1rio: o invent\u00e1rio do universo<\/b>. Bras\u00edlia, 27 mai. 1993.<\/span><\/p>

46\u00aa BIENAL DE VENEZA. <\/span>46\u00aa Bienal de Veneza<\/b>. Veneza, jun. 1995. (coletiva)<\/span><\/p>

CONJUNTO CULTURAL DA CAIXA. <\/span>Eu preciso destas palavras. Escrita<\/b>. Bras\u00edlia, 1998.\u00a0 (individual)<\/span><\/p>

CONJUNTO CULTURAL DA CAIXA. <\/span>Eu preciso destas palavras. Escrita<\/b>. Rio de Janeiro, 24 abr. 1999. (individual)<\/span><\/p>

GALERIA DE ARTE ESPA\u00c7O UNIVERSIT\u00c1RIO; GALERIA DE ARTE E PESQUISA DA UFES. <\/span>Arthur Bispo do Ros\u00e1rio: Eu vim<\/b>. Vit\u00f3ria, out. 1999.\u00a0 (individual)<\/span><\/p>

FUNDA\u00c7\u00c3O BIENAL DE S\u00c3O PAULO. <\/span>Brasil + 500 Mostra do Redescobrimento<\/b>. S\u00e3o Paulo, abr. 2000.\u00a0 (coletiva)<\/span><\/p>

CENTRO CULTURAL DOS CORREIOS. <\/span>Brasil + 500 Mostra do Redescobrimento. Imagens do inconsciente<\/b>. Rio de Janeiro, dez. 2000.\u00a0 (coletiva)<\/span><\/p>

CONVENTO DAS MERC\u00caS. <\/span>Brasil + 500 Mostra do Redescobrimento. Imagens do inconsciente<\/b>. S\u00e3o Lu\u00eds do Maranh\u00e3o, 2001.\u00a0 (coletiva)<\/span><\/p>

FUNDA\u00c7\u00c3O PROA. <\/span>Brasil + 500 Mostra do Redescobrimento. Imagens do Inconsciente<\/b> . Buenos Aires, abril de 2001.\u00a0 (coletiva)<\/span><\/p>

COMPTON VERNEY. <\/span>The fabric of myth<\/b> . Warwickshire, Londres, junho de 2008.\u00a0 (coletiva)<\/span><\/p>

SAL\u00c3O BRANCO DO SENADO FEDERAL. <\/span>Obravida \u2013 sonho e realidade<\/b>. Bras\u00edlia, dez. 2010.<\/span><\/p>

ART & MARGES MUS\u00c9E. <\/span>Arthur Bispo do Ros\u00e1rio<\/b>. Bruxelas, out. 2011.<\/span><\/p>

CAIXA CULTURAL. <\/span>Arthur Bispo do Ros\u00e1rio: o artista do fio<\/b>.. Rio de Janeiro, 2011. (individual)<\/span><\/p>

SANTANDER CULTURAL. <\/span>Arthur Bispo do Ros\u00e1rio: a poesia do fio<\/b> . Porto Alegre, mar. 2012. <\/span>(individual)<\/span><\/p>

MUSEU VICTORIA E ALBERT. <\/span>O Azul dos Ventos<\/b> . Londres, agosto de 2012. <\/span>(individual)<\/span><\/p>

MUSEU BISPO DO ROSARIO ARTE CONTEMPOR\u00c2NEA.<\/span>Um canto, dois sert\u00f5es: Bispo do Ros\u00e1rio e os 90 anos da Col\u00f4nia Juliano Moreira<\/b>. Rio de Janeiro, 2016.<\/span><\/p>

MUSEU BISPO DO ROSARIO ARTE CONTEMPOR\u00c2NEA. <\/span>Das virgens em cardumes e da cor das auras<\/b>. Rio de Janeiro, 2017.<\/span><\/p>

LA MAISON ROUGE. <\/span>Inextricabilia enchev\u00eatrements magiques:<\/b> Paris, 2017. (coletiva)<\/span><\/p>

F\u00c1BRICA DE ARTE MARCOS AMARO. <\/span>Bispo do Ros\u00e1rio: as coisas do mundo<\/b>. Itu, 2019.<\/span><\/p>

ITA\u00da CULTURAL. <\/span>Eu vim \u2013 Bispo do Rosario: apari\u00e7\u00e3o, impregna\u00e7\u00e3o e impacto<\/b>. S\u00e3o Paulo, 2022. <\/span>(individual)<\/span><\/p>

AMERICAS SOCIETY. <\/span>Bispo do Rosario: all existing materials on Earth.<\/b> New York, jan. 2023. (individual)<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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BIBLIOGRAFIA<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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ART & MARGE MUS\u00c9E. <\/span>Arthur Bispo do Ros\u00e1rio<\/b>: cat\u00e1logo. Bruxelas, 2011. (coletiva)<\/span><\/p>

CAIXA CULTURAL. <\/span>Arthur Bispo do Ros\u00e1rio: o artista do fio<\/b>: cat\u00e1logo. Rio de Janeiro, 2011. (individual)<\/span><\/p>

CAIXA ECON\u00d4MICA FEDERAL. <\/span>Eu preciso destas palavras: Escrita<\/b>: cat\u00e1logo. Rio de Janeiro, 1999. (individual)<\/span><\/p>

CAMPOS, M. (org.). <\/span>Um canto, dois sert\u00f5es: Bispo do Ros\u00e1rio e os 90 anos da Col\u00f4nia Juliano Moreira<\/b>. Rio de Janeiro: [s.n.], 2016.\u00a0<\/span><\/p>

COMPTON VERNEY. <\/span>The Fabric of Myth<\/b>: cat\u00e1logo. Londres, 2008. (coletiva)<\/span><\/p>

ESCOLA DE ARTES VISUAIS DO PARQUE LAGE. <\/span>Registros de minha passagem pela Terra: Arthur Bispo do Ros\u00e1rio<\/b>: cat\u00e1logo. Rio de Janeiro, 1989. (individual)<\/span><\/p>

FUNDA\u00c7\u00c3O BIENAL DE S\u00c3O PAULO. <\/span>+ 500 Mostra do Redescobrimento. Imagens do Inconsciente<\/b>: cat\u00e1logo. S\u00e3o Paulo, abr. 2000. (coletiva)<\/span><\/p>

GALERIA DE ARTE ESPA\u00c7O UNIVERSIT\u00c1RIO \u2013 GALERIA DE ARTE E PESQUISA DA UNIVERSIDADE FEDERAL DO ESP\u00cdRITO SANTO (UFES). <\/span>Arthur Bispo do Ros\u00e1rio: Eu vim<\/b>: cat\u00e1logo. Vit\u00f3ria, 1999. (individual)<\/span>
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<\/span>HALLE SAINT PIERRE. <\/span>Art Brut Br\u00e9silien Arthur Bispo do Ros\u00e1rio<\/b>: cat\u00e1logo. Paris, 2005. (individual)<\/span><\/p>

ITA\u00da CULTURAL. <\/span>Eu vim \u2013 Bispo do Rosario: apari\u00e7\u00e3o, impregna\u00e7\u00e3o e impacto<\/b>: cat\u00e1logo. S\u00e3o Paulo, 2022.<\/span><\/p>

KULTUHUSET. <\/span>Viva Brasil Viva: Konst fran Brasilien<\/b>: cat\u00e1logo. Estocolmo, 1991. (coletiva)<\/span><\/p>

LA MAISON ROUGE.<\/span> Inextricabilia Enchev\u00eatrements magiques<\/b>: art brut, art sacr\u00e9, art contemporain, art rituel africain: cat\u00e1logo. Paris, Flammarion, 2017.<\/span><\/p>

LABRA, D. (org.). <\/span>Das virgens em cardumes e da cor das auras<\/b>. Rio de Janeiro: [s.n.], 2017. (coletiva)<\/span><\/p>

L\u00c1ZARO, W. (org.) <\/span>Arthur Bispo do Ros\u00e1rio: S\u00e9culo XX<\/b>. Rio de Janeiro: Museu Bispo do Rosario, 2006.<\/span><\/p>

L\u00c1ZARO, W. (org.). <\/span>Arthur Bispo do Ros\u00e1rio: s\u00e9culo XX<\/b>. Rio de Janeiro: Editora R\u00e9ptil, 2012.<\/span><\/p>

MORAIS, F.. CORPAS, F. (org.). <\/span>Arthur Bispo do Ros\u00e1rio: Arte al\u00e9m da loucura<\/b>. Nau Editora. Rio de Janeiro, 2013.<\/span><\/p>

MUSEU DE ARTE MODERNA DO RIO DE JANEIRO (MAM Rio). <\/span>Arthur Bispo do Ros\u00e1rio: o invent\u00e1rio do universo<\/b>: cat\u00e1logo. Rio de Janeiro, 1993. (individual)<\/span><\/p>

SANTANDER CULTURAL. <\/span>Arthur Bispo do Ros\u00e1rio: a poesia do fio<\/b>: cat\u00e1logo. Porto Alegre, 2011. (individual)<\/span><\/p>

CASTELLO, J. <\/span>Dentro de mim ningu\u00e9m entra<\/b>. S\u00e3o Paulo: Berlendis & Vertecchia, 2016.<\/span><\/p>

T\u00c9LLEZ, J. <\/span>Arthur Bispo do Ros\u00e1rio, Atlas<\/b>. Cidade do M\u00e9xico: Alias Editorial, 2025.<\/span>
<\/span>
<\/span>MUSEU OSCAR NIEMEYER (MON). <\/span>+3: Arthur Bispo do Ros\u00e1rio, Jos\u00e9 Rufino e Raimundo Camilo<\/b>: cat\u00e1logo. Curitiba, 2005. (coletiva)<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

MANTO DA APRESENTA\u00c7\u00c3O T\u00edtulo: Manto da Apresenta\u00e7\u00e3o N\u00famero de tombo: MBRAC.ABR.0013 Designa\u00e7\u00e3o: Indument\u00e1ria Tema: religioso, vida asilar, invent\u00e1rio T\u00e9cnica: costura, bordado, escrita Material: tecido, fio de algod\u00e3o, linha, fibra vegetal, fio de seda, objeto industrializado, tinta de caneta esferogr\u00e1fica Dimens\u00f5es: 225,00 x 155,00 x 5,00 cm MBRAC_ABR_0013_151 MBRAC_ABR_0013_150 MBRAC_ABR_0013_149 MBRAC_ABR_0013_148 MBRAC_ABR_0013_147 MBRAC_ABR_0013_146 MBRAC_ABR_0013_145 MBRAC_ABR_0013_144 MBRAC_ABR_0013_143 MBRAC_ABR_0013_142 MBRAC_ABR_0013_141 MBRAC_ABR_0013_140 MBRAC_ABR_0013_139 MBRAC_ABR_0013_138 MBRAC_ABR_0013_137 MBRAC_ABR_0013_136 MBRAC_ABR_0013_135 MBRAC_ABR_0013_134 MBRAC_ABR_0013_133 MBRAC_ABR_0013_132 MBRAC_ABR_0013_131 MBRAC_ABR_0013_130 MBRAC_ABR_0013_129 MBRAC_ABR_0013_128 MBRAC_ABR_0013_127 MBRAC_ABR_0013_126 MBRAC_ABR_0013_125 MBRAC_ABR_0013_124 MBRAC_ABR_0013_123 MBRAC_ABR_0013_122 MBRAC_ABR_0013_121 MBRAC_ABR_0013_120 MBRAC_ABR_0013_119 MBRAC_ABR_0013_118 MBRAC_ABR_0013_117 MBRAC_ABR_0013_116 MBRAC_ABR_0013_115 MBRAC_ABR_0013_114 MBRAC_ABR_0013_113 MBRAC_ABR_0013_112 MBRAC_ABR_0013_111 MBRAC_ABR_0013_110 MBRAC_ABR_0013_109 MBRAC_ABR_0013_108 MBRAC_ABR_0013_107 MBRAC_ABR_0013_106 MBRAC_ABR_0013_105 MBRAC_ABR_0013_104 MBRAC_ABR_0013_103 MBRAC_ABR_0013_102 MBRAC_ABR_0013_101 MBRAC_ABR_0013_100 MBRAC_ABR_0013_99 MBRAC_ABR_0013_98 MBRAC_ABR_0013_97 MBRAC_ABR_0013_96 MBRAC_ABR_0013_95 MBRAC_ABR_0013_94 MBRAC_ABR_0013_93 MBRAC_ABR_0013_92 MBRAC_ABR_0013_91 MBRAC_ABR_0013_90 MBRAC_ABR_0013_89 MBRAC_ABR_0013_88 MBRAC_ABR_0013_87 MBRAC_ABR_0013_86 MBRAC_ABR_0013_85 MBRAC_ABR_0013_84 MBRAC_ABR_0013_83 MBRAC_ABR_0013_82 MBRAC_ABR_0013_81 MBRAC_ABR_0013_80 MBRAC_ABR_0013_79 MBRAC_ABR_0013_78 MBRAC_ABR_0013_77 MBRAC_ABR_0013_76 MBRAC_ABR_0013_75 MBRAC_ABR_0013_74 MBRAC_ABR_0013_73 MBRAC_ABR_0013_72 MBRAC_ABR_0013_71 MBRAC_ABR_0013_70 MBRAC_ABR_0013_69 MBRAC_ABR_0013_68 MBRAC_ABR_0013_67 MBRAC_ABR_0013_66 MBRAC_ABR_0013_65 MBRAC_ABR_0013_64 MBRAC_ABR_0013_63 MBRAC_ABR_0013_62 MBRAC_ABR_0013_61 MBRAC_ABR_0013_60 MBRAC_ABR_0013_59 MBRAC_ABR_0013_58 MBRAC_ABR_0013_57 MBRAC_ABR_0013_56 MBRAC_ABR_0013_55 MBRAC_ABR_0013_54 MBRAC_ABR_0013_53 MBRAC_ABR_0013_52 MBRAC_ABR_0013_51 MBRAC_ABR_0013_50 MBRAC_ABR_0013_49 MBRAC_ABR_0013_48 MBRAC_ABR_0013_47 MBRAC_ABR_0013_46 MBRAC_ABR_0013_45 MBRAC_ABR_0013_44 MBRAC_ABR_0013_43 MBRAC_ABR_0013_42 MBRAC_ABR_0013_41 MBRAC_ABR_0013_40 MBRAC_ABR_0013_39 MBRAC_ABR_0013_38 MBRAC_ABR_0013_37 MBRAC_ABR_0013_36 MBRAC_ABR_0013_35 MBRAC_ABR_0013_34 MBRAC_ABR_0013_33 MBRAC_ABR_0013_32 MBRAC_ABR_0013_31 MBRAC_ABR_0013_30 MBRAC_ABR_0013_29 MBRAC_ABR_0013_28 MBRAC_ABR_0013_27 MBRAC_ABR_0013_26 MBRAC_ABR_0013_25 MBRAC_ABR_0013_24 MBRAC_ABR_0013_23 MBRAC_ABR_0013_22 MBRAC_ABR_0013_21 MBRAC_ABR_0013_20 MBRAC_ABR_0013_19 MBRAC_ABR_0013_18 MBRAC_ABR_0013_17 MBRAC_ABR_0013_16 MBRAC_ABR_0013_15 MBRAC_ABR_0013_14 MBRAC_ABR_0013_13 MBRAC_ABR_0013_12 MBRAC_ABR_0013_11 MBRAC_ABR_0013_10 MBRAC_ABR_0013_09 MBRAC_ABR_0013_08 MBRAC_ABR_0013_07 MBRAC_ABR_0013_06 MBRAC_ABR_0013_05 MBRAC_ABR_0013_04 MBRAC_ABR_0013_03 MBRAC_ABR_0013_02 MBRAC_ABR_0013_01 Descri\u00e7\u00e3o Pe\u00e7a representando um manto composto por cobertor de l\u00e3 marrom, e na parte interna do manto forro de tecido de estofado em gorgor\u00e3o branco. Os cantos do manto s\u00e3o arredondados e em todo seu contorno arrematado com acabamento tecido de cetim numa cont\u00ednua. Ombreiras em cetim amarelo arrematadas com franjas. Abertura do pesco\u00e7o arrematada por uma gola com acabamento em malha vermelha plissada. Da gola pendem dois cadar\u00e7os grossos em seda retorcidos com borlas nas extremidades para os dois lados do manto. Na frente, na altura do peito, pequeno ret\u00e2ngulo de tecido, sugerindo um guarda-escapul\u00e1rio. Na frente diversos cord\u00f5es de diferentes espessuras e cores, presos nas duas pontas fazendo um U unidos no centro. Nas extremidades, acabamentos em pequenas borlas de v\u00e1rias cores. Inscri\u00e7\u00f5es e desenhos bordados na frente e atr\u00e1s. Na parte interna do manto inscri\u00e7\u00f5es bordadas em fios azuis com os nomes das virgens que subiriam aos c\u00e9us. Ao redor de todo o manto franja de cortina espessa branca. Transcri\u00e7\u00e3o MANTO ABERTO – EXTERNO Setor 1 [parte frontal] [de cima para baixo] [tudo bordado com exce\u00e7\u00e3o do sinalizado como escrita] FIH D HOM [filho do homem]\u00a0 UNIVERSO\u00a0 VOZ \u2013 PAI \u2013 CRIAD \u0106EU\u00a0 TREVAS\u00a0 EM . MEU . NOM\u00a0 I N J R\u00a0 ANO J\u00a0 LACRIM \u2013 SANGRI\u00a0 OPR\u00a0 SHO\u00a0 COMES\u00a0 REVERTER\u00a0 SOVOSS\u00a0 NAO SEI VER \u00a0 M13 \u00a0 AS ARA\u00a0 E\u00a0 CIbA\u00a0 UD NO FIM !\u00a0\u00a0 [s\u00edmbolos bordados desse setor]: cora\u00e7\u00e3o; \u00a0 balan\u00e7a; \u00a0 tri\u00e2ngulo; \u00a0 c\u00edrculo; \u00a0 lan\u00e7a; \u00a0 espada; \u00a0 cadeira;\u00a0 m\u00e3o e poss\u00edvel representa\u00e7\u00e3o da aura Setor 2\u00a0 [parte frontal] [leitura da esquerda para a direita, iniciando pela metade direita, circulando o manto] VENH . AS . VIRG . MIM \u00a0 135\u00a0 1.000\u00a0 910\u00a0 202\u00a0 28\u00a0 298 . 258 . 745\u00a0 163\u00a0 281\u00a0 917\u00a0 712 \u00a0 2\u00a0 15\u00a0 813\u00a0 96\u00a0 628\u00a0 122\u00a0 156\u00a0 175\u00a0 710 . 208\u00a0 66\u00a0 415\u00a0 270\u00a0 12\u00a0 340\u00a0 102\u00a0 8\u00a0 922\u00a0 911\u00a0 146\u00a0 222 . 42\u00a0 717\u00a0 721\u00a0 317\u00a0 15\u00a0 990\u00a0 783\u00a0 704\u00a0 54 . 52\u00a0 O NIVEL\u00a0 POS \u00a0 506\u00a0 797\u00a0 709\u00a0 69\u00a0 RUMC\u00a0 669\u00a0 306\u00a0 DVI\u00a0 209\u00a0 431\u00a0 558\u00a0 358\u00a0 55\u00a0 EGRM\u00a0 541\u00a0 33\u00a0 319\u00a0 512\u00a0 MRFO\u00a0 816\u00a0 706\u00a0 749\u00a0 547\u00a0 DELAS\u00a0 679\u00a0 730\u00a0 DAUNGI\u00a0 645\u00a0 761 . 693\u00a0 725\u00a0 965\u00a0 734\u00a0 LANCHOS\u00a0 509\u00a0 939\u00a0 570\u00a0 107\u00a0 FOR\u00c7A\u00a0 103\u00a0 569\u00a0 904\u00a0 34\u00a0 968\u00a0 307\u00a0 773\u00a0 257\u00a0 729\u00a0 RC EN O\u00a0 368\u00a0 326\u00a0 944 \u00a0 336\u00a0 327\u00a0 59\u00a0 B\u00a0 REUS\u00a0 PIMA\u00a0 757\u00a0 905\u00a0 144\u00a0 747\u00a0 BUENOS\u00a0 AG\u00a0 443\u00a0 738\u00a0 758\u00a0 341\u00a0 419\u00a0 511\u00a0 920\u00a0 737\u00a0 786\u00a0 606 \u2013 677 \u2013 5 \u2013 964 \u2013 266 \u2013 201 \u2013 481\u00a0 82\u00a0 181\u00a0 205\u00a0 404\u00a0 19\u00a0 17\u00a0 731\u00a0 40\u00a0 31\u00a0 320\u00a0 300\u00a0 16\u00a0 440\u00a0 30\u00a0 819\u00a0 44\u00a0 305\u00a0 61\u00a0 27\u00a0 3\u00a0 477\u00a0 191\u00a0 810\u00a0 192\u00a0 164\u00a0 177\u00a0 879\u00a0 490\u00a0 652\u00a0 19\u00a0 118\u00a0 912 . 74\u00a0 115 \u2013 700 \u2013 303 \u2013 94 \u2013 951 .\u00a0 386 . 737 . 954\u00a0 985\u00a0 958\u00a0 945\u00a0 934\u00a0 \u00a0 713 . 714\u00a0 703\u00a0 984\u00a0 618\u00a0 372\u00a0 592\u00a0 989\u00a0 79\u00a0 371 . 767\u00a0 68\u00a0 395\u00a0 101\u00a0 479\u00a0 108\u00a0 152\u00a0 22\u00a0 663\u00a0 324\u00a0 180\u00a0 350\u00a0 345\u00a0 328\u00a0 348\u00a0 768\u00a0 470\u00a0 680\u00a0 323\u00a0 571\u00a0 520\u00a0 360\u00a0 666\u00a0 171 \u2013 29\u00a0 612 \u2013 692\u00a0 15\u00a0 \u00a0 331 \u2013 601 \u2013 602 \u2013 302 \u2013 80 \u2013 902 \u2013 39\u00a0 38 \u2013 45 \u2013 48 \u2013 149 \u2013 282 \u2013 339 \u2013 409\u00a0 658\u00a0 531\u00a0 277\u00a0 332 \u2013 622 \u2013 922 794 . 629\u00a0 678\u00a0 NAULITOV\u00a0 623 319\u00a0 660 \u2013 169\u00a0 447\u00a0 916\u00a0 377\u00a0 292\u00a0 158\u00a0 898\u00a0 173\u00a0 683\u00a0 451\u00a0 217 . 640\u00a0 113\u00a0 370\u00a0 227 261 \u2013 147\u00a0 501\u00a0 159\u00a0 60\u00a0 707\u00a0 438\u00a0 256\u00a0 715\u00a0 313\u00a0 295\u00a0 253\u00a0 254\u00a0 259\u00a0 665\u00a0 628\u00a0 275\u00a0 345\u00a0 628\u00a0 417\u00a0 310\u00a0 267\u00a0 279\u00a0 230\u00a0 962\u00a0 123 \u2013 88 188\u00a0 413\u00a0 1\u00a0 499\u00a0 609\u00a0 412\u00a0 772 . 942 . 346 . 465\u00a0 51\u00a0 71\u00a0 40\u00a0 109 . 78\u00a0 550 392\u00a0 877\u00a0 239\u00a0 771\u00a0 229\u00a0 410\u00a0 374\u00a0 947\u00a0 714 \u2013 752 \u2013 352 \u2013 681 \u2013 751 . 733\u00a0 349\u00a0 610\u00a0 804\u00a0 750\u00a0 56\u00a0 11\u00a0 CRIA \u00a0 117\u00a0 719\u00a0 166\u00a0 978\u00a0 235\u00a0 238\u00a0 690\u00a0 Z\u00a0 776\u00a0 225\u00a0 647\u00a0 216 \u2013 551\u00a0 150\u00a0 26\u00a0 46\u00a0 Y\u00a0 53\u00a0 616\u00a0 441\u00a0 695\u00a0 333\u00a0 616\u00a0 210\u00a0 W\u00a0 619\u00a0 817\u00a0 969\u00a0 411\u00a0 207\u00a0 767\u00a0 68\u00a0 87\u00a0 U\u00a0 95\u00a0 23\u00a0 959 . 314\u00a0 214\u00a0 T\u00a0 124\u00a0 S\u00a0 903\u00a0 25\u00a0 R\u00a0 246\u00a0 654\u00a0 132\u00a0 Q\u00a0 P\u00a0 388\u00a0 387\u00a0 384\u00a0 O\u00a0 385\u00a0 N\u00a0 711 . 778\u00a0 646\u00a0 M\u00a0 775\u00a0 224\u00a0 651\u00a0 330\u00a0 290\u00a0 662\u00a0 81\u00a0 220\u00a0 91\u00a0 355\u00a0 637\u00a0 494\u00a0 IKL \u00a0 RB\u00a0 50\u00a0 673\u00a0 13\u00a0 104 153\u00a0 444 . 764\u00a0 H\u00a0 G\u00a0 768\u00a0 F\u00a0 206\u00a0 740 . 160\u00a0 E\u00a0 70\u00a0 113\u00a0 161\u00a0 754\u00a0 854\u00a0 37\u00a0 649\u00a0 97\u00a0 47 \u00a0 J \u00a0 21\u00a0 424\u00a0 241 . 656\u00a0 D\u00a0 C\u00a0 B\u00a0 141\u00a0 106\u00a0 504\u00a0 59\u00a0 111\u00a0 193\u00a0 219\u00a0 168\u00a0 503\u00a0 417\u00a0 642\u00a0 A\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 [s\u00edmbolos bordados do setor 2]:\u00a0 125 bandeiras de sinaliza\u00e7\u00e3o naval retangulares e triangulares;\u00a0 diversas pe\u00e7as de xadrez pretas; 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